Parallel 5ths were an immediate F in counterpoint. Check this out for the ultimate in 'bad' voice leading.

The original is packed with parallel fifths and octaves with chords moving in similar motion which inspired my dark side. Although this style of voice leading was frowned upon, especially in the Baroque period, I decided not to 'fix' it as the character would have changed too much. Lots of fifths - so watch your intonation.