Incorporating the famous synth lick on cello with a steady drive to the end, this Zeppelin tune is a solid winner.

I was attracted to this ballad by its classical feeling. If you have a “kick-ass” cellist (which HSQ has), the original synth solo in the middle can be a real tour-de-force. Don’t play too fast. Keep in 4 at all times and hold back. The cello solo will be more eff ective if it is super-even, very loud, mechanical sounding, very little vibrato, very connected, and towards the frog. Don’t be afraid - jump into it. Don’t forget, it’s rock and roll. Have fun!